Rob Matthews has been teasing a series of large, colorful, graphic abstract paintings on Instagram for months, and we’ll finally get to see the real things when the artist opens Fragments at David Lusk in March.
After the death of her mother, Margaret Renkl tenderly placed in an antique jar the "soft white hair" left behind in her mother's hairbrush. Years passed. When it no longer carried the scent she cherished, Renkl laid the hair across a holly branch in her yard.
I stay open and allow myself be drawn to places and things that move me. The pictures reveal what I am seeking, a hidden story emerging from this land of ghosts, rivers, and sky. I will travel soon to other destinations and find inspiration there too, but it is here that the basis is formed.
Catherine Erb has re-considered the urban landscape with blurred effects to expose the raw beauty of billboards, graffiti and River City landmarks. Every cloud painting tells a story, and each marble work represents an act of kindness that transcends children's games with energy and movement.
SOUTHERN IMAGE TAKERS offers a great primer on the work of these pioneering Southern photographers, but also explores their creative relationship. Both artists contributed to establishing color photography as a legitimate fine-art medium, and their images of quotidian subjects — Southern people and places — reveal the overlooked weirdness and wonder of our unique region.
Lusk’s Nashville outpost frequently closes its calendar year with a Small show. It’s happened often enough that I’ve come to think of these exhibitions as something like a holiday tradition. This year, it’s the present you knew you were going to get, but once you unwrap it you realize that it’s even better than you had expected.